DescriptionLearn to play country blues, ragtime blues, boogie blues and more! Add to your repertoire and reinforce your technique with this collection of blues songs. Bring these songs to life by listening to the recordings on the companion CD, which features two short versions of each piece, one played slowly and one up to tempo. Includes full guitar parts in standard notation with chords, accompanying parts, and tablature, as well as detailed notes on song origins and arrangements.Songlist´A´ Blues For YaBetty And DupreeBye Bye Baby BluesDelta ThingLonesome Weary BluesLong JohnMake Me A Pallet On The FloorMake Me A Pallet On Your FloorOh, Mary Don´t You WeepPoor BoyRaggin´ The BluesShortenin´ BreadSkin Game BluesSlow As Lightnin´
DescriptionStevie Ray Vaughan was a one-man Blues revolution - a true Texan original that totally reinvigorated the blues guitar and made it relevant and exciting for the Van Halen generation. Combining the power and virtuosity of Hendrix with a life-long love of Albert King, Kenny Burrell and the Texas blues greats, SRV possessed a style that was all his own, charging the blues with all the energy and invention of rock.In this double-DVD tutorial, Jamie Humphries provides a detailed guide to five Stevie Ray Vaughan favourites, with note-by-note explanations across a wide range of styles. Learn for yourself the stunning impassioned blues of The Sky Is Crying, the stomping shuffle of Pride And Joy, the sleazy funk of Cold Shot and the fret-melting fireworks of Scuttlebuttin´.SonglistCold ShotPride And JoyScuttle Buttin´Texas FloodThe Sky Is Crying
DescriptionIn Comping Standards For Jazz Guitar renowned Guitar guru and author Jim Ferguson helps you to take your playing to the next level.Using common jazz chord progressions, this book takes you through three primary comping approaches: straight-four, moving bass lines and combo variants. In the process, you´ll learn numerous chord voicings, ways to organize them and a wide variety of dynamic rhythmic figures used in jazz.Other highlights include the use of guides and pivots, chord substitution, mastering rootless chords, playing with a pianist, inverting partial harmonic structures, Latin comping, chord scales, handling modal tunes and mixing voicings.The highly detailed music examples cover most of the common jazz keys and the material comes to life on the accompanying 17-track CD.The pieces featured in Comping Standards For Jazz Guitar are in both standard notation and tablature.All The Things You Want Always Autumn Confirmation Blues Deep Blue Bossa Five Minus One Gnawing On The Apple Into Somewhere Minor Blues Rhythm Changes Un Peu Blues We Can’t Be Parted
Legendary drummer Billy Cobham made his name by playing with jazz icons like Miles Davis, George Benson, and Horace Silver and the Mahavishnu Orchestra in addition to his own band Dreams and a fruitful solo career. This Real Book includes 16 Cobham original compositions in detailed lead sheet arrangements written by Cobham himself! Includes: AC/DC - Crosswind - The Dancer - Desiccated Coconuts - Heather - Le Lis - Light at the End of the Tunnel - Mirage - Moon Germs - Obliquely Speaking - Panama - The Pleasant Pheasant - Radioactive - Red Baron - Stratus - To the Woman in My Life. All Hal Leonard Real Books feature time-tested songs in accurate arrangements in the famous easy-to-read, hand-written notation, and convenient comb binding. AC/DC Crosswind Desiccated Coconuts Heather Le Lis Light At The End Of The Tunnel Mirage Moon Germs Obliquely Speaking Panama Radioactive Red Baron Stratus The Dancer The Pleasant Pheasant To The Woman In My Life
The P3RA is a wireless stereo bodypack receiver for use with the PSM300 Personal Monitor System.With detailed 24-bit digital audio processing and reliable wireless performance, the P3RA bodypack delivers professional personal monitoring to any corner of the stage. Patented Audio Reference Companding ensures the clearest sound, with ultra-low noise and no artifacts. Find a wireless channel easily, using the scan function to automatically select the cleanest frequency available from a wide tuning bandwidth. Adjust the volume and use MixMode® technology or stereo mode to create a personal mix from two channels of audio. EQ and volume limiting further individualize the sound via the high-contrast LCD menu. With a compact and rugged aluminum body, the P3RA ensures a long lifetime of use and easily clips onto a belt or guitar strap. Two standard AA batteries provide up to 7 hours of continuous use. The optional SB900 rechargeable battery (sold separately) extends runtime and allows easy in-unit charging.Includes zippered bag and 2 AA batteries.Note: When purchasing separate wireless components, please match their frequency bands to ensure proper system operation.Frequency Band:L19: 630 – 654 MHzFeatures• Rugged, all-metal construction• High-contrast LCD screen with menu-based navigation• 2-band shelving EQ with high and low boost• Volume limiter sets the maximum gain level range for the volume knob• MixMode® technology enables adjustment of two independent monitoring mix levels • Stereo mode enables adjustment of left/right balance• Frequency scan and IR sync quickly finds and assigns a clean channel• 2 AA batteries provide up to 7 hours of continuous use• Optional Shure SB900 lithium-ion rechargeable battery provides extended runtime• Power and battery status LED• 5-segment battery life meter• Power save mode preserves battery life when earphones are not connected
Edition no.: BA9647ISMN: 9790006539529Editor: Dürr, WaltherProduct format: Performance score(s), Urtext editionIncludes the following individual parts: PianoBinding: StapledPages / Format: XI, 22 Seiten - 31,0 x 24,3 cm Schubert’s well-known collection of Moments Musicaux was published in 1828, during the last year of the composer’s life, but some of the pieces date back to the beginning of the 1820s. In 1823 he published his extremely popular Air russe which later became the third piece of the Moments Musicaux and during the following year the chordal sixth piece entitled Plaintes d’un Troubadour. The multi-faceted lyrical atmospheric pieces are particularly suitable for piano teaching because of their charming variety as well as their moderate technical demands. They have become an indispensable part of the concert repertoire.For the first time this scholarly-critical Urtext edition presents the musical text of the New Schubert Edition in new engraving and with optimum page-turns. The fingering takes essential aspects of performance practice of Schubert’s time as well as performance on the modern concert grand piano into consideration.A detailed foreword, suggestions for performance and notes on the evaluation of the primary sources complete the edition.- Scholarly-critical editions based on the Urtext of the New Schubert Edition, taking all known sources into account- Newly engraved editions with optimum page-turns- With fingering and suggestions for performance (Ger/Eng) by Mario Aschauer- With a detailed foreword (Ger/Eng) and critical commentary (Eng)Mario Aschauerstudied piano, historical keyboard instruments, conducting and musicology in Linz, Salzburg and Vienna. He performs as a soloist and chamber musician, with groups including the Austrian Calamus Consort, presenting a wide-ranging repertoire on fortepiano, harpsichord and organ.
New digital 14” snare with latest multi-sensor triggering Roland is revolutionizing electronic drums – our trigger pads are no exception. Our brand new digital trigger pads work with the TD-50 sound module to provide the ultimate in expressive drumming. Never before have electronic drums been so true-to-life.The new Roland PD-140DS Digital V-Pad combines snare tradition with the latest triggering technology. A brand new three-layer mesh head is fitted to a standard size 14” shell for natural rebound and feel and is instantly familiar to play. But now, thanks to Roland’s newly developed multi-element sensor system, your hits across every area of the pad are more closely detected, and your playing dynamics captured in minute detail. Rim shots and cross-sticks are automatically detected as the pad senses your hand and adjusts accordingly, producing a sound that is natural, detailed and bursting with character. To enjoy the optimum performance from this groundbreaking digital drum pad, it must be paired with the processing power and digital trigger inputs of Roland’s new flagship TD-50 sound module. - High-resolution sound triggering with accurate positional detection- Compatible with flagship TD-50 sound module for optimum performance- Play cross sticks or rim shots using traditional technique, with no need to adjust settings inside the module - 3-ply mesh head provides natural rebound, playing feel and response- Standard acoustic-style 14” size offers a familiar look, presence and playability- Reflective steel shell makes a visual impression on the stageSpecifications:-Pad size14 inches-Shell depth4.3 inches-Tension rods8-Head3-ply mesh head (Floating mid-layer structure)-Available playing methods (Triggers)Head shot (High resolution positional detection, Wide dynamic range)Rim shot (Depth detection, Wide dynamic range)Cross stick (Automatic switching)Brush sweep-Sensor systemMulti element sensor systemHead sensorPosition sensors x 3Rim sensorCross stick sensors x 3Built-in sensing processor-Supported covering size98 (width) x 1,060 (length) mmThickness: 1 mm or less-ConnectorDIGITAL TRIGGER OUT plug(compatible with Roland drum sound module equipped with DIGITAL TRIGGER IN port)-Power supplySupplied from DIGITAL TRIGGER IN port (DC 5 V)-Current Draw90 mA-Dimensions380 (W) x 380 (D) x 160 (H) mm15 (W) x 15 (D) x 6-5/16 (H) inches-Weight4.9 kg10 lbs 13 oz-AccessoriesOwner´s manualConnection cableDrum key
Felix is our new, studio grade 2 channel blending acoustic instrument and mic preamp, designed for working musicians, engineers, sound companies or venues looking for the highest quality solution for amplifying stringed instruments. Felix is built into a roadworthy (beer-proof) floor unit chassis of anodized aluminum and steel, portable enough to leave the rack at home but bring studio quality to the stage. With the same stunning audio performance and legendary reliability as Grace Design’s pro audio range, Felix brings open, musical and nuanced preamplification to any performance situation.A powerful eq section allows simple and intuitive tone shaping for even the most unruly of instruments. Each channel’s variable high pass filter cuts 12 dB per octave from 20 Hz to 1 kHz, and can also be set as a notch filter for chasing down problem feedback or rumble areas. Parametric mid range controls cover from 65 Hz all the way to 6 kHz. While fixed low and high controls are carefully voiced for musical shading of bass and treble.Controls are simple and clearly marked on a bright panel, making them easy to read and tweak on a dark stage. Footswitch functions include a mute / tune switch for muting all outputs except the dedicated tuner out, a boost switch which activates a variable boost circuit, and finally, an A/B mode switch for when Felix is in A/B mode (which simply toggles between the two different channels).Felix brings the kitchen sink approach to I/O. Inputs include a 48V XLR mic input and two instrument inputs. Two independent transformer isolated DI outputs can be sourced from either the mix or the individual channel. This allows you to send the front of house a mix or each channel independently. A dedicated, level controlled amplifier output can be sourced from the mix or channel 2. A dedicated tuner output stays active when all the other outputs are muted. A side panel mounted 1/8” mini jack headphone amplifier is there for practicing, private noodling during boring soundchecks, or scrutinizing dubious eq decisions. A TRS insert is included for adding effects, and finally, a remote footswitch jack is included if Felix is going to spend his life in a rack or up off the floor.Guitar, bass, fiddle, mandolin, cello, dare we say banjo, that weird 3 string gourd thing - Felix is your instrument’s new best friend. Flexible, reliable, a good listener and eager to make you sound better, he is also your new best friend.Designed and built by family and friends in sunny Lyons, CO, USA.FEATURES- Open, musical and detailed instrument and mic preamplification for discerning artists and engineers- 2 channel audio path with blend output control- m101 style transimpedance microphone preamplifier, no electrolytic capacitors in the signal path- Ultra precision 0.5% thin ¬ film resistors are used in the signal path- Careful power supply design and grounding yield an ultra-quiet signal path and professional level headroom and line driving ability- Fully ground isolated DI outputs with high quality, low distortion, fully shielded transformers- Super rugged 1/4” connectors with heavy duty metal bushings- Powerful, independent EQ on both channels – hi and low shelving and full parametric midrange- Mid frequency control has two ranges 70-640Hz / 655 - 6kHz- 20 Hz – 1 kHz sweepable HPF on both channels, can also be set as notch ¬filter- A / B footswitch for multiple instrument configurations or soloing different pickups -Mute/ tune footswitch mutes all outputs except dedicated tuner out- Boost footswitch for variable 10dB level boost (global)- DI outputs sources are ¬configurable - Ch1 (mix or Ch1) Ch2 (mix or Ch2)- Dedicated level controlled stage amp output (configurable as blend or Ch2)- Dedicated tuner out, remains hot when unit is muted- Side panel switches for 48V, phase, mid Hz range select, HPF/notch select, 12V and A/B mode select- 12V mic input power available on Ch2- Phase reverse switch for each channel- 3 input impedance settings on each channel – Ch1 10K, 1MEG, 10MEG / Ch2 332K, 1MEG, 20MEG accommodating a wide range of pickup types- Aux footswitch jack for accessing switch functions if Felix is mounted in a rack tray or on top of an amp- Mic stand flange mount screw holes holes for putting Felix on a mic stand- 1/8” headphone jack, active when Felix is muted- Global TRS effects insert jack- Universal 100-240 AC power supply with standard IEC cable – no wall wart - take Felix anywhere in the world!-...
Edition no.: BA9648ISMN: 9790006539536Editor: Dürr, WaltherLanguage(s) of text: German, EnglishProduct format: Performance score(s), Anthology, Urtext editionIncludes the following individual parts: PianoBinding: Cardboard bindingPages / Format: XII, 84 Seiten - 31,0 x 24,3 cm Schubert’s well-known collection of Moments Musicaux was published in 1828, during the last year of the composer’s life, but some of the pieces date back to the beginning of the 1820s. In 1823 he published his extremely popular Air russe which later became the third piece of the Moments Musicaux and during the following year the chordal sixth piece entitled Plaintes d’un Troubadour. The multi-faceted lyrical atmospheric pieces are particularly suitable for piano teaching because of their charming variety as well as their moderate technical demands. They have become an indispensable part of the concert repertoire.For the first time this scholarly-critical Urtext edition presents the musical text of the New Schubert Edition in new engraving and with optimum page-turns. The fingering takes essential aspects of performance practice of Schubert’s time as well as performance on the modern concert grand piano into consideration.A detailed foreword, suggestions for performance and notes on the evaluation of the primary sources complete the edition.- Scholarly-critical editions based on the Urtext of the New Schubert Edition, taking all known sources into account- Newly engraved editions with optimum page-turns- With fingering and suggestions for performance (Ger/Eng) by Mario Aschauer- With a detailed foreword (Ger/Eng) and critical commentary (Eng)Mario Aschauerstudied piano, historical keyboard instruments, conducting and musicology in Linz, Salzburg and Vienna. He performs as a soloist and chamber musician, with groups including the Austrian Calamus Consort, presenting a wide-ranging repertoire on fortepiano, harpsichord and organ. 1.Vorwort 2.Preface 3.Schubert, FranzFour Impromptus op. 90 - D 899: 4.Schubert, FranzI. Impromptu C minor 5.Schubert, FranzII. Impromptu E flat major 6.Schubert, FranzIII. Impromptu G flat major 7.Schubert, FranzIV. Impromptu A flat major 8.Schubert, FranzFour Impromptus op. post. 142 - D 935: 9.Schubert, FranzI. Impromptus F minor 10.Schubert, FranzII. Impromptus A flat major 11.Schubert, FranzIII. Impromptus B flat major 12.Schubert, FranzIV. Impromptus F minor 13.Critical Commentary